There are no official recordings of books 9 and 10 but these books, simply being Mozart's A major and D major violin concertos, have readily available recordings by various violinists. Completing the 10 volumes is not the end of the Suzuki journey, as many Suzuki violin teachers traditionally continue with the Bruch and Mendelssohn concertos, along with pieces from other composers such as Paradis , Mozart , and Kreisler. The viola repertoire is in nine volumes, compiled and edited by Doris Preucil.
Like the violin repertoire, much of the viola repertoire is drawn from the Baroque period. The first 3 volumes have been arranged or transposed almost directly from the first 3 violin volumes, and the rest differ significantly as they delve into standard viola literature. The viola books introduce shifting and work in higher positions earlier than the violin volumes, in anticipation of viola students being asked to play in ensembles sooner in their studies than violinists, and needing these skills to better handle orchestral or chamber music parts Preucil, Books 1—4 have been recorded on two albums by William Preucil , and the rest are available in separate albums.
The cello repertoire is in ten volumes, with some early pieces arranged from the early violin volumes, and the first distinct piece the second being "French Folk Song". Tsuyoshi Tsutsumi performs volumes 1 through 4. The piano repertoire is composed of seven volumes. The first book begins with Variations on "Twinkle, Twinkle, Little Star" as with the violin books and continues with many folk songs and contemporary songs.
As one progresses to the second book, there are pieces written by romantic, classical and baroque composers, such as Robert Schumann, Ludwig van Beethoven and Johann Sebastian Bach. The third book is early intermediate level with several sonatinas and beginning with Sonatina in C Major, Op. The fourth book includes Sonata in G Major, Op. The sixth book begins with the Sonata in C Major, K.
Mozart, and the seventh book begins with the Piano Sonata No. There are also many minuets in the second book. Revised versions of the piano books have now been published. Many pieces from the original books remain; some have been shifted to another volume. Currently there are five printed volumes in the double bass series, with the first three volumes also available on recordings. Nine volumes are planned and being compiled and edited by Dr.
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Volume 1 and 2 contain arrangements of the traditional Suzuki violin pieces mixed in with some new arrangements of other pieces. The flute repertoire is compiled and edited by Toshio Takahashi. Also included are concerti by Mozart , Cimarosa , Ibert and Quantz. There are eight volumes of recorder repertoire for both soprano and alto recorder.
- suzuki recorder school volume 3 piano accompaniment for alto recorder part Manual.
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The recorder repertoire shares some early repertoire with other instruments, such as "Twinkle Twinkle Little Star", several Bach Minuets, etc. Later books delve into more complex Renaissance and Baroque music, including instruction in intense Baroque ornamentation along with 17th-century Dutch and Italian articulation techniques. The classical guitar repertoire was compiled through a collaborative process involving teachers from the United States, Europe and Australia, and edited by Frank Longay.
George Sakellariou has recorded books five, six and seven and William Kanengiser recorded books 8 and 9, with the exception of Recuerdos de la Alhambra in book 9, which was recorded by Scott Tennant. The harp repertoire is in five volumes. Most of the music is arrangements of either folk music or classical music. Students of the lever harp will find some of the pieces in the later books to have challenging lever changes.
This series ultimately leads to more in-depth study of the pedal harp and its repertoire and teaches more of a classical style technique. Those pursuing traditional Celtic music can use this as a foundation, however, the traditional style of teaching focuses on relying on the ear rather than on the written note.
Repertoire for volume six is selected, though the music is not published in a single book. The voice repertoire is in five Levels.
Teacher training courses are scheduled yearly in Europe, US and Australia. Currently Volumes have been published Alfred Publishing, As of , an active Suzuki-training organ scheme is under way in the Australian city of Newcastle. The application of Suzuki's teaching philosophy to the mandolin is currently being researched in Italy by Amelia Saracco. The SECE curriculum is designed for ages and uses singing, nursery rhymes, percussion, audio recordings, and whole body movements in a group setting where children and their adult caregivers participate side by side.
The English-based curriculum is currently being adapted for use in other languages. Trumpet was added to the International Suzuki Association's list of Suzuki Method instruments in Petz, Johann C.
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Quantz, J. Resinarius, B. Sweelinck, J. Telemann, G. Traditional Spirituals for Recorder, Vol. Various Baroque Recorder Anthology, Vol. Various De tous biens plaine - Recorders viols, etc. Various Schott Recorder Anthology Vol 5.
Suzuki Recorder School Piano Accompaniment, Volume 3, Alto
Various Schott Recorder Anthology Vol. Various Spielbuch Book 1, No. Various Spielbuch Book 2, No. Various Suzuki Recorder School, Vol. Vitali, G.
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Volume 3, Soprano recorder : recorder part Suzuki recorder school. Volume 4, Soprano recorder : recorder part next. Wording Edition. What is MDS? LibraryThing's MDS system is based on the classification work of libraries around the world, whose assignments are not copyrightable.
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